LEON & HARPER | Clelie Long-sleeved Striped Shirt - Eyelet Frill
A Victorian sensibility, stripped of its corseted stiffness, finds a modern home in LEON & HARPER’s Clelie long-sleeved shirt. The defining gesture here is the collar—a demure, rounded band that rises into a soft, gathered frill, framing the face with a quiet, architectural grace. This is not a shirt that shouts; it is one that insists on a second look. The stripe, a classic pinstripe in black and off-white, runs vertically, elongating the torso, while the real narrative unfolds in the intricate eyelet embroidery. Tiny, precise floral cut-outs trace the frills and the front placket, a detail borrowed from antique heirloom linens, lending a hand-crafted delicacy to an otherwise straightforward silhouette. The fabric itself is a crisp cotton poplin, chosen for its ability to hold shape without feeling stiff. It has a clean, dry hand—a tactile snap that speaks to quality—and a weight that allows the shirt to drape cleanly over the body rather than cling. This is a textile that breathes, making it a natural ally for transitional weather: worn open over a tank in late summer, buttoned to the neck under a wool blazer when the air turns cool. There is no stretch, no give, only a tailored integrity that ensures the pleats and pintucks remain crisp from morning coffee to an evening glass of Sancerre. The cut is precise and intentionally generous. It falls straight through the body, skimming rather than cinching, allowing the wearer to tuck or leave loose depending on the desired silhouette. The long sleeves are full, with a slight gather at the shoulder, and finish in a buttoned cuff that can be rolled for a more relaxed stance. The front closure is a series of small, matte buttons, subtle enough to let the embroidery do the talking. On a model standing 177cm, a size S lands at the hip, offering a proportion that balances the romantic top-heavy frill with a clean, uncluttered line below. Movement is the shirt’s quiet luxury. The frill at the collar lifts and settles with a turn of the head; the eyelet flowers catch the light as you reach for a book or a glass. It is a piece that performs best when allowed to move—walking through a gallery, gesturing in conversation, leaning over a café table. For occasion, it refuses to be pigeonholed: it works as a sharp work shirt when paired with a high-waisted wool trouser and a loafer, and transforms into something softer with a raw-hem denim and a flat sandal. To dress it for evening, swap the trousers for a bias-cut silk skirt and add a single gold earring. The shirt does the rest. Style it as the top layer in a monochrome black look, letting the white pinstripe and cutwork provide the only contrast—a study in restraint that reads as effortlessly Parisian.
Original: $28.06
-65%$28.06
$9.82Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
A Victorian sensibility, stripped of its corseted stiffness, finds a modern home in LEON & HARPER’s Clelie long-sleeved shirt. The defining gesture here is the collar—a demure, rounded band that rises into a soft, gathered frill, framing the face with a quiet, architectural grace. This is not a shirt that shouts; it is one that insists on a second look. The stripe, a classic pinstripe in black and off-white, runs vertically, elongating the torso, while the real narrative unfolds in the intricate eyelet embroidery. Tiny, precise floral cut-outs trace the frills and the front placket, a detail borrowed from antique heirloom linens, lending a hand-crafted delicacy to an otherwise straightforward silhouette. The fabric itself is a crisp cotton poplin, chosen for its ability to hold shape without feeling stiff. It has a clean, dry hand—a tactile snap that speaks to quality—and a weight that allows the shirt to drape cleanly over the body rather than cling. This is a textile that breathes, making it a natural ally for transitional weather: worn open over a tank in late summer, buttoned to the neck under a wool blazer when the air turns cool. There is no stretch, no give, only a tailored integrity that ensures the pleats and pintucks remain crisp from morning coffee to an evening glass of Sancerre. The cut is precise and intentionally generous. It falls straight through the body, skimming rather than cinching, allowing the wearer to tuck or leave loose depending on the desired silhouette. The long sleeves are full, with a slight gather at the shoulder, and finish in a buttoned cuff that can be rolled for a more relaxed stance. The front closure is a series of small, matte buttons, subtle enough to let the embroidery do the talking. On a model standing 177cm, a size S lands at the hip, offering a proportion that balances the romantic top-heavy frill with a clean, uncluttered line below. Movement is the shirt’s quiet luxury. The frill at the collar lifts and settles with a turn of the head; the eyelet flowers catch the light as you reach for a book or a glass. It is a piece that performs best when allowed to move—walking through a gallery, gesturing in conversation, leaning over a café table. For occasion, it refuses to be pigeonholed: it works as a sharp work shirt when paired with a high-waisted wool trouser and a loafer, and transforms into something softer with a raw-hem denim and a flat sandal. To dress it for evening, swap the trousers for a bias-cut silk skirt and add a single gold earring. The shirt does the rest. Style it as the top layer in a monochrome black look, letting the white pinstripe and cutwork provide the only contrast—a study in restraint that reads as effortlessly Parisian.
